Licensed initially
in the 1950's as WENR-FM and simulcasting the audio portion of its
television sister station (WBKB-TV)
as well as classical music and Broadway show tunes, the station was
reportedly located in an old broom closet at WBKB and
ABC kept it on the air with a minimum broadcast schedule hoping that FM
radio would become a viable outlet.
In 1965, the call
letters were changed to WLS-FM and the the station was "let out of
the closet," featuring a Beautiful Music
format from 12 noon-midnight daily (and Blackhawk home games) under the
leadership of Harvey Wittenberg. Broadcasting in stereo, the
station made it's debut as WLS-FM by airing live coverage of the
National Clay Court Tennis Championships from River Forest. By 1968 its hours were extended to
6:00am-midnight, simulcasting WLS-AM from 6:00-8:00am (Clark Weber show)
and carrying Don McNeill's Breakfast Club from 8:00-9:00am. In
addition to sports, the station played standards, show tunes, light classical fare, jazz and folk tunes "selected
from the finest stereo albums."
Air staff included Mike Rapchak from 9am-2:30pm, Steve Hodges handled afternoons and Bob Porter in the
evening.
Harvey Wittenberg
interviews Chicago Blackhawks stars Bobby Hull, Glenn Hall and Stan
Mikita.
Top: Clark Weber. Bottom: Don McNeill's "Breakfast Club."
Even though WLS-FM
was easy listening during the day, the underground progressive rock show
"Spoke" came about in
the summer of 1968. It originally aired from 10:00pm to
midnight and was locally produced by Gordon Anderson,
featuring a lot of reverb and disjointed sounds.
"Spoke" on WLS-FM
- 1968.
The ABC Love staff
including Richard Silverberg, Allen B. Shaw, Howard Smith, Peter Bohme,
George Yahraes,
Jim Smith, Brother John Rydgren, Pat Rasbach and T.J. Johnson, among others.
WLS-FM Production Director
Thom Trunnel and sales manager Herb Neu.
"Love,"
syndicated soft adult rock format from ABC came about in 1969.
That aired on WLS-FM from 7:00pm-1:00am.
A news release at the time described the format as not necessarily an
"underground station," but more of a fine-arts station.
"It not only plays quality rock, but mixes in classical, blues,
folk and cultural experiences in tune with its listening
audience."
In September 1969, ABC decided to switch WLS-FM to full-time Progressive
Rock. They brought in a new staff including Mitch Michaels and
John Platt and tossed out Harvey Wittenberg along with Art Hellyer, Mike
Rapchak and others.
The station was
full-time Progressive and changed to WDAI in early 1971. Jim Kerr hosted
mornings while Dave Van Dyke
held down the afternoon shift. What's ironic is ABC messed up on the
call-letters. At that time they wanted to distance all their
O&O FMs from the AMs. WABC-FM in NYC became WPLJ, KABC-FM in
LA became KLOS, KQV-FM in Pittsburgh
turned into WDVE, KGO-FM became KSFX in San Francisco. WDAI was
supposed to be the designated calls for WXYZ-FM
in Detroit (The "DAI" standing for Detroit Auto Industry) and
WLS-FM was to be WRIF (no doubt for guitar or blues "riff").
L-R:WDAI
staff in 1972. Mitch Michaels, late nights on WDAI in 1973.
L: Dave Van Dyke,
afternoons in 1973. Courtesy
of Nancy Hurst Kirkwood
R: Morning man Jim Kerr in 1974.
Courtesy
of Karen Greenstein
Steve Dahl on WDAI - 1978
In
1972 WDAI softened its Progressive Rock a bit but still remained an
Album Rocker until 1978 when Disco got morning
man Steve Dahl up in arms (pictured above right with Eagles guitarist
Joe Walsh). After the format change, he was fired.
Dahl went to WLUP and paired up with Garry Meier. Through his
"Coho Lips Army," Dahl mounted a vocal "Disco Sucks"
campaign and was bent on demolishing WDAI. Despite this assault
"Disco DAI" did very well at the height of the
Disco craze. Mixes were also heard on WDAI in 1979 with Lou Divito,
Peter Lewicky, Scott Adams, Charlie Di Giovanni
and future member of the Hot Mix 5 Kenny Jason. Divito
was the first Chicago disco jockey to have his mixes played on the
radio.
wbmx.com
Lou Divito
Bob Sirott's tenure was
short before moving to television. Uncle Lar invades FM.
Rich McMillan on WRCK - 1980
By Spring
1980, disco had died and the station was reformatted as an adult Top
40/Oldies mix under the calls WRCK.
Bob Sirott was hired as morning man, but was unable to start for several
months, due to his contractual obligations that
still remained after he had left WLS at the end of 1979. When he finally
did start, he only lasted a few months before
working his way out of that contract to head to CBS 2 television.
As a result, WRCK merged again to become WLS-FM.
Read more about the short history of WRCK here.
The music
was adjusted to sound like the AM programming and morning and evening
drives were simulcast.
In addition to Danae Alexander, Tom Graye, Rich McMillan and Chuck
Evans, Superjock Larry Lujack began the day
and Brant Miller ended it from the WLS-AM studios.
Chris Shebel,
who originally aired on WLS-AM in 1982, moved
over to FM 95 a year later, replacing Danae when Fred Winston returned
to AM 89.
Steve Dahl & Garry
Meier at WLS-FM studios in 1982;
WLS-FM Staff 1982: Meier, Dahl, Larry Lujack, Brant Miller, Susan
Platt, Amy Scott, Chuck Evans.
Susan Platt on WLS-FM - 1984
Steve Dahl (along
with Garry Meier) returned to the station in February 1981 for afternoon
duty after being fired from
The Loop FM98 for "assaulting community standards."
Their audience moved with them to the new station and
eventually increased. Along with Maggie Brock on news and
producer/engineer Marcus Palmer, Steve and Garry's
five years at WLS were fraught with controversy and multiple
suspensions. A short lived Sunday night ABC Radio Network show, entitled
"The Steve Dahl Breakfast Club," aired for a short time,
beginning in 1981. Dahl and his band
Teenage Radiation continued to release albums, including Pet Fishsticks,
and singles like "I'm A Wimp," and
"RTA," as well as play live events, such as Chicagofest and
other area venues.
Styx's Tommy Shaw joins
Garry and Steve at the WLS offices in 1985.
Dahl & Meier
were moved to WLS-AM (after a month long walkout in dispute of their
contract) by October 1984,
replaced with Tommy Edwards who made the jump to the FM band. Peter
Bucalo, known on the air as Peter B. took over evenings when the AM
simulcast was eliminated. Dallas Cole assumed Program Director duties,
while WLS-AM & FM
music director Tim Kelly grabbed the PD chair for AM 89 when Steve Casey
exited.
The switch to "Hit
Rock" WLS-FM in 1985.
Paul Gardner on WLS-FM 1985
In
1986 the station changed again. This time to WYTZ (Z-95) to
compete more solidly with WBBM-FM (B96).
The WLS-AM airstaff
vanished with the exception of Brant Miller, Susan Platt, Paul Gardner
and (for a time) Jeff Davis, replaced by morning man Paul Barsky and his "Z Morning Zoo," Mark Sebastian and
Greg Thunder among others.
Ric Lippincott, Program Manager at WLS from 1980 to 1982, returned to ABC head up Z-95. "Right
after I arrived at
95, [GM Jeff] Trumper left the company and I took over as acting General Manager. A position I kept for over a
year.
Later Norm Schrutt, then President of ABC Radio Group II, brought
in a GM and made me the Operations Manager
over both WLS AM and Z-95 FM.
Z95 had rocketed to the top and it became one of the most remarkable
Top 40 stations in
the country."
The second Z-95 logo
after Zenith threatened copyright infringement, Susan Platt, Jeff Davis.
Program Director Ric
Lippincott
with Bon Jovi
Brant
Miller, afternoons on Z95 - 1987
Barsky Morning Zoo on Z95 -
1986
1986
After
taking on it's rival B96 for nearly five years, the station was
"blown up" by consultant (later programming head of Clear
Channel Communications) Randy Michaels. For three tumultuous
weeks, WYTZ went through a drastic change, playing only a handful of
dance and rap songs over and over, airing station voiceovers and Gulf
War updates in Spanish while waging constant attacks on B96, station
program director Dave Shakes and their morning team Eddie & JoBo.
Despite Z-95 morning jocks Welch & Woody's daily updates that "...a big announcement was
coming," none really did. That is until "Hell."
For about a week, the station referred to itself as "Hell
94.7." This caused quite a stir in the media and outrage from
listeners who were upset with the new satanic slogan. The plan failed (maybe it was supposed to)
and for a short time in 1991, WYTZ reverted back to Top 40 as "Hot 94.7" under program director Greg Cassidy.
WYTZ in 1991, prior to
"Hell Radio"
In
late 1991, "Bubba The Love Sponge" was brought in to do
mornings. Todd Clem, aka Bubba had come back to Chicago from
Orlando, after previously working in Philadelphia and also evenings at
rival B96. However his tenure would be short lived. According to Bubba, "...Randy [Michaels] called me to do mornings,
and it lasted about 83 days before Norm Schrutt
[ABC Radio programming head] blew it up and fired the staff. The
day I was hired, they hid me in the green room, made me sign some dumb ass contract then fired Welch & Woody. On my
first day, Kevin O'Grady, the GM of 94.7 resigned and
[WLS-AM General Manager] Tom Tradup did double duty."
(L-R) Hot 94.7's John
Welch, Joanie Siani & Steve Woods.
In
1992, WYTZ once again became WLS-FM, surrendering the signal as a
fulltime simulcast of WLS-AM, which had gone
talk in 1989. By 1994
Robert Murphy, Lise Dominque, Johnny Von, Turi Ryder and Rich Roeper
among others were
brought in by Drew Hayes to make WLS-FM a "hip" talk station for younger
listeners. WLUP was too well entrenched
with top talk/comedy
personalities such as Johnathan Brandmeier, Kevin Matthews and Steve
Dahl. 94.7's FM talk format
did not attract listeners and within a year and it was back to simulcasting
WLS-AM.
Former WMAQ and WUSN jock
Nancy Turner makes a big splash back into radio at WKXK.
In
November 1995, WLS-FM began airing all Christmas music with a promise of
a new format after the holidays.
That format was country WKXK "Kicks Country." Again 94.7 tried to
take on a big competitor, this time WUSN. Ratings
failed to kick Kicks in and by 1997, the format and it's air staff that included
country veteran Nancy Turner were gone.
Bob Stroud, Patti Haze,
Alan Stagg, Kevin Matthews.
This
time the format changed to Classic Rock as CD94.7, WXCD. Initially
the station ran jockless with a wide playlist
under the direction of
Bill Gamble. As time went on the playlist was trimmed down and AOR
veterans Bob Stroud
(along with his famous "Rock 'n Roll Roots"), Patti Haze, Joe Thomas and Mitch
Michaels joined on. Alan Stagg recreated
the underground
sound of the early progressive FM days with his late night
"Sanctuary." While it continued to maintain
it's slogan
of "Classic Rock with Less Talk," WXCD hired Kevin Matthews as morning man.
Previously the station ran
jockless in the AM drivetime.
Bob Stroud's "Rock
'n Roll Roots" show first debuted on WMET (95.5) in 1980.
"Rock `n Roll Roots" aired
each Sunday from 9:00am to noon. Fall of 1998 saw the release of the
first of three "Classic Rock Roots" CDs
produced by Stroud and CD94.7. Volume 1 sold all 5,000 copies printed.
Eight more have been released annually by Stroud's current radio home,
WDRV (97.1).
By
2000, rumors swirled that 94.7 would change again. Despite reports
from management that the WXCD was healthy,
a flip seemed inevitable. On November 29th at 6pm, CD 94.7 became The
Zone, a rock based 80's format, featuring the sounds of REM, Stray Cats, Phil Collins and The Cure among others. All
fulltime WXCD airstaff, with the exception of Kevin Matthews were let go. For the 10th time in the station's history, the call
letters were changed - this time to WZZN.
New jocks included Steve Fisher, Jeffrey T. Mason, Brooke Hunter and Paul Gant among
others.
Less
than 9 months later, the format would undergo another overhaul to a more
contemporary alternative rock sound (to compete with crosstown WKQX and WTMX). While the station's handle would
remain "The Zone," the entire Kevin Matthews morning show was dismissed in August 2001. Over the next few years,
94.7 The Zone would morph into a harder alternative/active rock station.
After several years of competing with crosstown rival WKQX (Q101) which
left both stations
at the bottom of the ratings heap, ABC finally pulled
the plug on The Zone at noon on September 26th 2005 in favor
of
"The True Oldies Channel."
The
True Oldies Channel, an ABC satellite delivered late 50's - early 70's
format, debuted to fill the void left when Infinity Broadcasting took
WJMK out of the oldies business earlier in the year after switching to
104.3 Jack-FM. Bill Gamble,
the station's Program Director for the past
ten years, since the classic rock days, was let go along with
the rest
of the on-air staff.
Jim Peterik (center) and
The Ides of March with Scott Mackay
However,
a year later a bright spot appeared on the radar as Dick Biondi returned
to the air, and to ABC after 43 years.
In November 2006, Biondi was
hired to hold down his old WLS timeslot from 9:00pm-midnight, joining
John Records Landecker, who was hired earlier in the year for afternoon
drive. Former Kevin Matthews Show alum Scott Mackay was brought back for
mornings. Later, Chicago radio icons Greg Brown and Brant Miller joined
the staff.
Legendary New York City voice Scott Shannon, who is the Program Director of the True Oldies Channel (and
former WCBS-FM and Z100 morning
man) was heard middays and weekends.
(L-R) Dick Biondi at his
annual Toy Drive at Yorktown Mall, afternoon host Greg Brown
and True Oldies Channel host Scott Shannon.
On June 19, 2008 it
was announced that the station would return once again to the WLS-FM
call letters, the fourth time in it's history. At midnight on June 26th, 94.7 WLS-FM - Chicago's True Oldies
slogan went on the air with a
welcome from Dick Biondi, followed by the
song "Life Is A Rock (WLS Rolled Me)" by Reunion. Since the
advent of the Portable People Meter (PPM) audience measuring system, WLS-FM has once again returned to the top of
the ratings
with its hybrid of Oldies and Classic Hits.
Dick Biondi on WLS-FM June
28, 2008
The 2009 Toy Drive was
held at Stratford Square Mall. WLS-FM Program Director Michael LaCrosse
assists Mr. Biondi with one of the many ties that he wore during the
marathon broadcast.
On May 2, 2010 WLS-FM
and WLS-AM merged together for one evening as Dick Biondi celebrated the
50th Anniversary
of the day WLS began playing contemporary music (and Biondi's first day in
Chicago on WLS). It was attended by the biggest names in Chicago rock history as well as being officially named
"Dick Biondi Day" in
the State of Illinois by Governor Pat
Quinn.
WLS-FM airstaff in 2012: L-R Greg Brown, Brant Miller, Dick Biondi, Fred
Winston, John Records Landecker.
Front, WLS-FM Program Director Jan Jeffries.
Dave Fogel and Kim Burk
are the current morning show hosts from the WLS-FM studios in NBC Tower.
In the
early days, the station's transmitter shared space with sister station
WBKB-TV (Channel 7) atop Marina City.
Its "circle 7" was visible for miles around. After the
completion of Sears Tower in 1974, Channel 7
(now WLS-TV) moved to
the then "world's tallest building."
94.7 moved to the John Hancock Center,
then to Sears in 1983 where they continue to transmit from today.